Yes, he does! I addressed that in my answer. It’s another parallel between Kaneki and Amon and Akira–they all think of themselves as better than. I’m going to quote this meta I wrote on Kaneki and apply it to Amon and Akira with some adaptations:
Kaneki absolutely loathes himself. He sets up seemingly hypocritical
boundaries like “killing ghouls fine, killing humans no, but I’m the
ghoul king” because it’s literally the only way he can live with
himself. It’s a maladaptive coping mechanism. He does not believe he’s
worth love if he isn’t good enough, if he isn’t kind enough…Amon sets up this “I’m a ghoul investigator and so are you Takizawa!” boundary in order to save Takizawa, even though they are both ghouls and they are both murderers at this point so there is no logic in that argument. But it’s how he lives with himself. Being a ghoul investigator was probably his way of paying back what happened with Donato as a child, of him atoning for it really–but he can’t.
Amon cannot forgive himself. And furthermore he cannot face himself. He’s fighting with the other humans and didn’t tell them he was a ghoul even though that might have actually helped convince the CCG to work with ghouls. He doesn’t want to accept his ghoul nature for the same reason Kaneki has a hard time accepting it: because to admit that he has been turned into the creature responsible for his trauma as a child, known only for killing (though that’s inaccurate) is terrifying for him. He does not want to be Donato 2.0, and by running from becoming Donato 2.0 by becoming a ghoul investigator, he teamed up with Mado (aka Donato 2.0) and became Donato 3.0. It’s tragically ironic.
As for Akira, love has always been caught up in her father since her mother died when she was so young. And Mado always viewed himself as justified killing ghouls because of what happened to Akira’s mother. So therefore love for Akira has always been tied up in having a purpose to live, and that purpose has always been tied to killing ghouls. Without that hatred, as she herself says, she’s empty. Additionally, Akira is struggling with the same black and white worldview Kaneki sets up: if ghouls are the same as humans, then she and her father are murderers, and if they are murderers and their purpose for living was wrong, do they deserve to live at all? If her father was a sadistic child murderer, how can he also be a kind father to her? (Which he was, btw.) The answer is because it’s gray, it’s all gray, but Akira is struggling to accept this.
Amon and Akira are hurting children internally as well, just like Kaneki. But that doesn’t excuse what they are doing by pretending to be better, because pretending is never a path to self-actualization. Enter Donato. And Takizawa.
I mean, the whole thing is that Takizawa also has many issues of his own that he needs to solve, because he doesn’t see himself as deserving of much for example, despite being the only one of their little trio who actually moved on from the past and accepted his new condition (even if that meant making it his punishment at the same time by letting go of Akira and Amon).
It’s as you said @hamliet: Amon and Akira are struggling to let go of the past because they’re scared of what consequences and changes their awareness about the world’s situation will bring to them.
So I really think Takizawa is supposed to be the one (the hero) making them realize that moving on and acceptance are okay (and that it doesn’t make Amon anything remotely close to Donato or Akira the worst person ever), while they’ll reassure him that he still has a place to belong.








































