BTW I know people have been joking around about Kaneki looking younger than ever in the very last TG chapter…

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but anyone remembers this?

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I mean, we all know that Kaneki did eat a lot of people during the Dragon arc…

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so maybe this is a last nasty reminder by Sensei and Kaneki looking younger is actually meant to be x))

“Pointless”

Roma

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Uta

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Donato

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Furuta

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Gosh, not only did I just notice this, but I find that the words of both Itori and Nico, who are the only two Clowns we didn’t see fighting this time, are particularly meaningful to the parallel between the other Clowns.

  • Itori said…
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– Hey,
there are only two ways for people to live.
To live beautifully, or to live for beautiful people.

– Is that so.
Then, what about people who do neither?

– My, that is simple.
They become mad and die.

;_; my poor Clowns

GUYS I’M SO MOVED, seriously I wanted this insight for years, because the veil has finally lifted and the truth came out!! 

All the times we heard the Clowns talking about their group, it was always…

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…as them pretending to be the audience, as if they were pulling the strings or observing the show rather than having any role on stage, but Itori literally dropped the mask and admitted otherwise. 

They always belonged in that big play that is TG, just like everyone else. Obviously they would, since they all agree that it’s boring and lonely to remain on the side, it’s just that since it’s hard for them to find warmth along with the rest of the cast, they’d rather act as if they were the audience in the first place.

As for the “Clowns’ raison d’être” line for next week if Editor-san wasn’t pranked by Sensei, I’m 100% convinced that this has to do with what happened 100 years ago (or with the second OEG of the timeline & V), because Roma made a similar allusion just before dying…

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So whatever the reason is that Itori said that she’s seen and heard too much to forget that this world would never accept them (implying she’s indeed an “old lady”), it’s probably leading us back to what started it all:

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And actually it’s super funny when you consider how the chapter literally ended up with Uta going kakuja on us, I mean, it’s not like there aren’t some mysteries around his character at all

I want to know what’s up with those veins that appear from time to time… Are they Rc pathways…

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or something else? 

And if they’re Rc pathways, do they become visible when ghouls are exhausted and pushing themselves to their last resort for healing or fighting? Would make sense, but I’d just like some mention of this later, it’s interesting.

Edit:

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thanks Cor!

What do you think about the power scaling in the manga? In the beginning ghouls like Rize and Yamori were monsters, Arima was basically a god. Now we have a huge kagune monster destroying Tokyo. Sure, we knew this was possible because of Ayato’s journey, but all of this happened too late in the series. I think we should’ve gotten some hints earlier, so stuff like this and Tatara’s fire kakuja don’t seem so absurd. Humans seem to know so little about ghouls, it kinda bothers me.

linkspooky:

Power scaling basically went out the window when Urie defeated Roma, despite basically losing to Donato earlier in the exact same circumstances. Even though Roma’s technically a much much stronger ghoul.

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You don’t need to reply to this with several reasons why Urie totally could have beaten Roma though and how it totally makes sense though because that’s not really the purpose. 

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This isn’t really a fighting manga where the power levels are meant to be cool. Every character that has sought strength as a part of their character arc has regretted it later. I think it’s important to remember that in those scenes the characters don’t accomplish what they wanted through physical strength. Urie’s goal wasn’t to defeat Roma, it was to save Kuroiwa, but Urie totally failed in that regard even after receiving a power up and while Kuroiwa was literally in his arms.

All Urie had to do was pay attention to his environment like Furuta warned him to and he failed in that regard.

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Characters like Mutsuki, Urie and Kaneki who seek strength as a means of self improvement never succeed. That is kind of the point, Kaneki literally becomes the strongest ghoul in the whole of Tokyo and he still can’t accomplish his desire to protect everyone.

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All of the problems we thought were holding Kaneki back before, his uncontrollable Kakuja, his suicidal nature holding him back, his lack of understanding on how to use the power of kagune, they’ve all been resolved at this point.Yet…

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That’s why the next chapter went so far as to create a shonen tourmanet parody arc of this whole scene.

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That is essentially the point of this whole scene Kaneki’s the strongest now so he should get what he wants and win, if that’s the conclusion you reach you’re reading the manga wrong. Yes, it would be nice if the power scaling was more consistent, but thematically it works to make the powers so ridiculous now because it makes a point that fighting itself is pointless.

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The fact that no one side could handle the Dragon by their own is part of what establishes how pointless the fighting and trying to gain strength for the sake of protecting others on each side really was. 

I think it’s also important to remember not only were Rize and Yamori strong but they were also people you did not want to be. What they did to get that power made them horrible people, but Kaneki failed to grasp that in the end because he only saw their power as a means of accomplishing what he wanted. In other words Kaneki needed to read more Medaka Box. 

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Clown in a world devoid of purpose and meaning

echo-from-the-void:

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I think that a good chunk of us have some sort of routine in our lives. Do this one thing at that specif time, and this other thing at another time. Routines and having something familiar to do is a good way to keep life organized, and in order. However, if you just repeat the same things over and over again from day to day, you will likely get bored. You might crave a some change in you`r daily routine, something to make things more exciting. 

Roma is something of an extreme case of this. When she was old enough to realize her surroundings, she found out that she was alone and had no parents. So she just wandered the streets, killing when she wanted to. Roma´s life from the early days seems to be just this. Wandering the streets, and killing humans and ghouls alike when she needed to. Her life was surrounded by death. That became her routine, and maybe that was all she had in the beginning. However, as I rambled about in the more daily example above, doing the same things over and over again will make you bored out of you`r mind in the end. And that is what happened to Roma, she got bored. 

But then she discovered humans from the”society”, those weak, ugly, enjoyable things. Like small pathetic toys. Roma calls them “bread and circus”, give to her by the Gods. As a good chunk of you know, that phrase was created by Roman satirical poet Juvenal. I´ll quote a few lines to open up the term:

Bread and circuses” (or bread and games; from Latin: panem et circenses) is metonymic for a superficial means of appeasement. In the case of politics, the phrase is used to describe the generation of public approval, not through exemplary or excellent public service or public policy, but through diversion; distraction; or the mere satisfaction of the immediate, shallow requirements of a populace,[1] as an offered “palliative”. Its originator, Juvenal, used the phrase to decry the selfishness of common people and their neglect of wider concerns.[2][3][4] The phrase also implies the erosion or ignorance of civic duty amongst the concerns of the commoner.

something, as extravagant entertainment, offered as an expedient means of pacifying discontent or diverting attention from a source of grievance.

The points I am going to focus on when it comes to this term are “diverting attention from a source of grievance” and “superficial means of appeasement”. I find these the most fitting in this scenario, since I think the weak, self centered and fragile humans were indeed a manner of “distraction” for Roma. Something fun and stimulating that diverted her gaze from the boredom she felt. The important word is superficial, since while a constant stimulus indeed keeps you occupied and makes things fun, it does not the cure the “core problem”. I think Roma was very hollow and empty. That is because she had no one in her youth, and all she knew was killing and death. Because of this she probably did not develop any sort care or attachment to the surrounding world. Maybe when Roma has nothing to do but just the boredom, this hollowness crept into her mind. As she says to Urie, when boredom takes over you start to question what is the point of even living.

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So the foolish human were bread and circus, a superficial distraction from a empty and meaningless life which only knew death and loneliness.  

This is also the core difference between Roma and Eto. While both had an rough youth, are very strong and etc…, in the end they are rather different. You see, Eto lost her parents but that was trough an act of injustice. This memory and the diary of her mother gave her an direction in life, and objective. To not be a coward and run like Kuzen did, but to change this warped birdcage. She lived in the violent 24th Ward, likely witnessing and going trough the struggles ghouls go trough when they live in a society that hunts them. 

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Roma had nothing like this. She had not drive, no objective, nothing. Everything around her was just death, so she likely never developed any sort of attachment or drive to change the world. 

So while Eto, an revolutionary fueled by hatred seeks to change the world, Roma who´s life was devoid of meaning, seeks only stimulus that distracts her from meaningless world. A life without conflict and drama would be very boring in Roma´s eyes, so she does not want to change it. Instead she wants to be the audience who sits on the benches while watching a grand tragedy being played on the stage of life. And since she likely never learnt to care about the surrounding world to her, why Roma would want to want to change something in it.

Viewing the world as circus keeps you going in a world that has no meaning to you. Fun and stimulus distracts you from the emptiness of life, which has no purpose. 

@echo-from-the-void 

You know I love your post because, even though Roma founded an organization  (one of the few still going strong in the series so far btw) for the reasons you pointed out, it’s just very interesting to me how the other Clowns were hinted to be different from her despite all sharing the same motto:

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This really makes me wonder how different all their backstories are going to be: Roma was “Gypsy”, and as the founder she had precise reasons to create such a gang, so I love how the union between the remaining Clowns is still that notion of “seeking fun” that Roma thought of to make her boredom disappear. 

The other Clowns probably didn’t feel hollow (or didn’t have the same reasons as Roma to feel hollow if they also did), but still, despite their probably different backstories, what remains is the notion of seeking the fun hidden within their respective goals. It’s like Roma’s personal touch as the founder, even if she never led them. 

I don’t know, for me it’s part of the Clowns’ complexity as characters: they’re a weird group but that’s why I love them all. 😀

Kakugan differences

So you know Uta’s last birthday art…

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and how he’s covering his right eye, as if indicating that his only kakugan is on the left side? 

Well, what if he was the second OEG of the timeline instead of the first?

The first OEG (the Nagaraj, the One Eyed Washuu) was this guy…

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but as explained twice in the last two chapters, he apparently didn’t escape his Kakuja so he could be very old and trapped in the 24th ward.

Meanwhile, Kaneki in ch121 and Nishiki told us in ch128 about a second OEG who threatened the CCG and led to V’s creation…

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…and as you can see, his left eye is emphasized on. So what if the Uta we know is the second OEG who “was a hero of ghouls who led the CCG to destruction”?

As to whom he would be to have a Washuu kakuhou (special kakuhou with cloning abilities?) and look like the One Eyed Washuu…

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how about a rare hybrid (i.e natural OEG, like Eto) born in the sunlit garden?

Uta being responsible for V’s creation because he raised havoc around 50 years ago would also explain this:

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since Roma was sent to prison basically around 20 years ago (and they apparently knew each other from before) and since she said that she knew the “king of the underground”.

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For the record though, at this point, this title might refer to either of these two OEGs, since both were apparently driven underground:

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…And in fact, Matsuri wouldn’t be against doing the same to Kaneki:

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Finally, Uta being the second OEG would even go with @kingkishou​‘s theory that Uta somehow passed on the OEK title to Arima at the time of the Clowns’ annihilation and it also allows me to introduce one of my untold crack theories…

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…which is that the reason Uta is the only one who kept his mask on during ch98 was because he didn’t want to be recognized by Kaiko from V (since V defeated him 50~ years ago).


TL;DR Uta is probably a (natural) OEG if just because…

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…and several birthday arts that imply he only has one Kakugan. 

However, considering that the One Eyed Washuu’s kakugan was on the right side while Uta’s might be on the left (+ he doesn’t have mole), maybe Uta is another OEG from the Washuu family, except that he came into the picture half a century after the first one. 

In other words he’s the OEG Nishiki talked about in ch128.