I cannot talk much for Goblin Slayer as I have not read/seen it yet, but I think I can talk for Berserk:
You only see those rape scenes on certain occasions. They usually appear as a motif of sexual perversion (Eclipse, heretic’s Cave at tower of conviction, Qliphot, that one kushan Daka factory using human pregnant women) in a doomsday kind of scenario. And it’s mostly done to give the story a push forward, scarring and traumatizing the characters and giving them a motivation or drive.
There surely are some personal reasons why Miura chose this way of story-telling and kept it through most of
the story (but I don’t want to dig into this and I hope he is all well if not I’ll spam him with lovely fan letters and good vibes)
It’s reason why Guts went on his 2 year apostle killing spree:
I also think the things that happened to Farnese while she was taken hostage by Guts, the things she witnessed at Tower of Conviction and Qliphot all together enabled Farnese to become a witch in the first place:
The “Daka Factory” made Silat question whether it is a good idea to follow a a king that lies beyond their understanding (one who resorts to using pregnant women to create hell spawn, I might add):
And later on Silat already makes this point very clear when asked to join the neo band of the hawk:
It’s a (prettyy fucked up) narrative tool, so to say. But also very effective because firstly, it is so shocking and secondly, the timing of these events fit into the overall narrative and development of each character.
Thank you for writing this.
I understand that people are upset with the rape scenes and find them questionable. But at the same time, as questionable as it is, Berserk wouldn’t be the same story without it (and I know this is going to be a controversial thing to say).
Yes, using rape to shock and upset the audience can be a bit of a cheap trick, but that’s kind of the point, to shock and upset both the audience and the characters. Femto/Griffith is considered as villanous as he is because he’s a rapist, as much as people complain that it objectifies Casca*, people wouldn’t hate him as much without it.
Honestly, reading through Berserk every single character who is a rapist has also been depicted as FUCKING EVIL (Wyald, Femto, the trolls, Ganishka, etc.) so it’s not like Miura is glorifying such actions. You could argue until the cows come home about wether or not rape should be depicted and even used as part of some character’s characterization, but IMO at the end of the day Berserk has been mature rated from the start, if you can’t handle sexual content then perhaps you shouldn’t read it.
(* – that’s not to say it isn’t a valid complaint)
Some other works literature, movies or games would only include explicit
scenes merely for shock value or PR (I’ve heard people saying that
Goblin Slayer does just that, but what can I say!)
Berserk has explicit and triggering content, but it makes it meaningful in the way the story is told. E.g. lets just point out how Guts was abused by Donovan and therefore WILL mercilessly beat up or kill anyone crossing his path who dares touching the weak (Though I also have to point out he is not actively pursuing that goal).
This experience of his is used as motivation that is showing throughout the manga in a very strong and effective way. It gives him a depth and also ambiguity – because he is not actively pursuing as goal – that not many protagonists have, at least those I’ve seen/read about.
I mean when the PROTAGONIST literally saves women from rape ON MULTIPLE OCCASIONS (Casca/Adon, Casca/Farnese/Women from Enoch in Trollcave) it’s really really unlikely that the author endorses rape in any kind of way. (But I like that he also puts a reminder to not become the very thing you are fighting against *cough* winter journey *cough*)
While I understand people being upset about Berserk’s upsetting imagery (I was too when i first read the explicit parts), I think it’s art to write these things and give them a proper meaning and symbolism; it makes Berserk the masterpiece that it is.
This is so very important.
I’m sorry if what I’m about to say sounds kinda unrelated to this discussion @bscully, but Berserk has a real notoriety in the manga world and honestly, I thank Sensei for steadily going with the upsetting imagery in spite of this!
(under the cut, because possibly slightly out of topic)
Anyone who likes manga has at least heard of the series and generally of the Eclipse, since it’s the most shocking/horrible part (I have had dozens of discussions that turned out like this) and, because it’s shocking but also because Berserk was often referred to as a masterpiece, more than a few manga fans went to read the Eclipse without the context of the previous 12 volumes.
Well, guess what? Obviously these guys came out disappointed and full of the criticisms you were talking about above (”this is disgusting”, “glorifying rape”, “couldn’t he have drawn/done this with more taste?”, etc).
But that’s the thing, context matters in every series and even more in Berserk, which is why as you said so well, “Berserk has explicit and triggering content, but it makes it meaningful in the way the story is told“ and that shows through all the examples you mentioned.
I don’t know, maybe it’s just me, but if I go read a love confession between two characters I barely know/haven’t followed the story of, the emotional affect is 100% lost on me compared to if I’ve been following their dynamic for a few or a lot of volumes.
Same for lovemaking/sex scenes being taken in or out of context, with or without knowing the characters and all that they went through before finally reaching that point with each other (for example, that’s how you can establish a real comparison between the Griffith/Charlotte and Guts/Casca sex scenes in the same volume => again, something Sensei made on purpose, without a doubt; whereas the two scenes just probably resonate similarly if you check them without knowing the context or the characters).
And so, if this is how it works for beautiful and emotional moments, why shouldn’t it also work for absolutely horrifying and shocking parts like the Eclipse (but also Guts’ chidhood, the lost children arc, Qliphoth, Wyald, Ganishka, etc)?
So yes, Miura-sensei goes with upsetting imagery often in Berserk, it’s been a thing since the beginning although (as Anon pointed out) it’s hardly ever the same tone several times in a row. That fact is why the series doesn’t have to be for everyone and there is no issue with saying one wouldn’t enjoy it. However, for the ones who go check the worst scenes regardless, without the whole context, and who obviously get the wrong idea, seriously what’s the point?
It took me two years to start Berserk between the first time it was recommended to me and when I actually gave it a try, because first thing I did was to go to google image to check and I immediately closed the browser because “what the hell?! too violent!” => that’s missing the context.
Now it’s one of the best series (amidst manga, comics, novels, books, everything) I have ever read and honestly I’m glad circumstances made me give it another chance.
Miura-sensei knows what he is doing: it doesn’t have to be for everyone, but honestly, criticism is only legitimate with context.
Hey, guess who can come and go through the World Tree once a month during the full moon and doesn’t get lost either?
Personally I still think this boy has a link to Griffith 2.0, as in that he’s possibly the ego of the Gutsca baby after his corporeal body ended up as Femto‘s vessel, post the tower of conviction arc.
We know he is powerful too, so if he borrows Femto’s powers (?) he might as well borrow his ability to travel along the World Tree without getting lost and in order to get to his parents during the full moon (the night magic forces are the strongest).
In other words, I don’t think this boy is Griffith/Femto because Schierke confirmed his OD didn’t make the brand react (so he’s not evil), but that doesn’t mean he can’t be linked to Griffith/Femto to some extent anyway (since Femto and the Gutsca baby share one body), which would explain why he too can travel just fine using the World Tree.
Soooo… Time for a recap post? Here’s what we know:
the moonlight child only appears during the full moon => it’s implied that he can only materialize the night magic is at its strongest
Considering that his OD never led to the brand reacting, I doubt he comes from “the Underworld”
(and btw)
Griffith 2.0 does not disappear during the full moon, so it can’t be the demon infant getting his body back just for one night
Casca’s attraction to the moonlight child is very reminiscent of how she used to react when the demon infant was nearby
Femto commented on feeling the demon infant’s fear for his parents, so we know the infant always seeked to protect them and that’s also exactly what the moonlight child did with Guts and Casca every time he appeared
(the demon infant also knew that Guts loved Casca dearly, that’s why he warned him about going to save Casca, and so does the moonlight child, since that’s she he used to bring Guts back from the berserk mode twice)
he’s notan envoy of Danan, Gedfryn confirmed as much in ch344
bonus: like mother, like son?
(Side note but whenever he materialized, Casca acted more rational and like an adult than when he wasn’t around: she would feed him or be scared of him climbing up, when usually she couldn’t even eat by herself or realize whenever she did something dangerous)
So anyway, it’s nothing new that there are too many similarities between the demon infant and the moonlight child, which is why a lot of readers (not everyone, I’m aware of that) think the two are the Gutsca baby.
Previously I proposed that the moonlight child could be some kind of ‘incarnated dream’ of the demon infant, but it’s not certain that it would make sense with the child disappearing inside of the World Tree, which is a “dragon’s road” between different realms? At the same time, in vol28, the World Tree wasn’t a thing yet either so…¯_(ツ)_/¯
These days now though I’m wondering more generally about what if the moonlight child is the demon infant’s ego?
Because this would solve why he can only materialize corporeally during the full moon, “the nights magical forces are at their strongest”, while the demon infant remains Femto’s vessel at any given time.
In other words, Femto possesses the body of the demon infant in order to exist in the corporeal world, but the child’s ego disappears/disappeared:
either after what happened in vol22 (because Femto found him to be a liability after baby literally influenced him to go save Casca for example)
or only when the full moon comes because strong magical forces give him the chance to materialize elsewhere to see his parents.
That could explain why he appears/disappears randomly exactly where Guts and Casca are, as well as why he’d be naked when showing up. What I mean is that I doubt the moonlight child exists corporeally elsewhere aside from the full moon where he is with Casca and Guts.
Besides, I find the way the moonlight child appears to Guts when in Berserk mode is quite similar to what Schierke saw the first time Guts used the armor:
And so I’m wondering if the similarities aren’t on purpose.
It’s also obvious that the moonlight child is related to Light in general, if just as the light bringing Guts back when he lost himself to the armor’s power, which is why I also proposed previously that he may be the real hawk of light that everyone sees in Griffith 2.0.
Another important point to mention is that the moonlight child apparently grew up in just one lunar cycle and there again, I wonder if this isn’t related to how Femto’s power is rapidly expanding, like with the World Tree for example.
The more Femto achieves victory, the more his influence and thus probably his power grow (and the more chaos grows closer), so if the moonlight child is linked to the demon infant who himself is Femto’s vessel, then this might explain why he’s visibly growing up along with Femto’s influence over the human world.
I guess this point might also explain why the second time the moonlight child
could remind us of Griffith 2.0 (if just with the hair), which is in my opinion one way that Sensei has to hint that the moonlight child is related to Griffith 2.0…
who, again, is the result of Femto fusing with the demon infant’s flesh.
Finally, Sensei creating two entities for just one character (demon infant + moonlight child = Gutsca baby) would make sense considering certain… upcoming problematics, like, when Femto does get married to Charlotte for example which should probably be soon in the narrative.
I mean, the body Femto is inhabiting is the demon infant’s, the body of Guts and Casca’s child who should be like… 3 years old???
So in case something like a wedding night happens, well, I’d rather Sensei found a way to make it clear that Femto is 100% the one who has sex with Charlotte instead of the child himself, if you know what I mean? The moonlight child being everything that used to be the demon infant (so his ego), besides his own flesh that now belongs to Femto, could solve this.
Same for when Guts and Casca will ultimately face Femto in order to kill him. That way there could be hope left for their child’s survival.
An ego represents a person fully enough in any case, as we could see with Guts’ when he used the armor for the very first time:
That’s why I’d enjoy the idea!
I hope it was clear enough considering how complex the universe of Berserk is. Thanks for reading!
Hi Anon! And well, listen, I don’t think anyone enjoying Berserk can actually seriously say that they hate Griffith in an extremely genuine way.
It’s more like we love to hate him: because he’s such an absolutely perfectly well-written evil and we have everything we need from within the narrative to shit on him in any way we want, because he’s unforgivable and very certainly not a candidate for redemption ever now that he was reborn as an evil angel.
Most villains in fiction are now written to be grey in terms of characterization: they are made to be relatable on some aspects, they are meant to have motivations fueled by their (generally complex) backstory and so in general, this leads to fans either defending the character or shitting on them unironically.
This is something that generally doesn’t happen with Griffith because he raised the bar way too high (the reasons I mentioned above) and that’s why everyone has fun collectively hating his ass, although there are minor exceptions as with everything.
Of course, there are readers who genuinely despise Griffith to the point of not even acknowledging canon facts about his character (pre/post Eclipse), but this is actual character hate which is always useless and irrelevant (especially since without one of the three main characters of Berserk, the story just wouldn’t be the same and we wouldn’t love it as much).
On the other hand, extremely rarely I’ve seen a few “fans” who’d rather shit on Casca and value what Griffith did to her and the others, but these guys are just… people you know have a problem IRL and I choose not to consider them.
So Anon, unless you tell me that you found the Eclipse to be a very enjoyable part of Berserk in what it represents or that you hate Rickert because of this
I think we’re good. 😉
Griffith as Femto represents the epitome of evil in fiction so he isn’t relatable as a villain and that’s why it’s easy for fans to shit on him, knowing that 90% of the time, people actually love the character for being so very evil since that’s a part of why the story is so magnificent.
That’s how I feel on the matter. Once again, if you stan Griffith to the point of trying to excuse the Eclipse that’s on the same level as fans who genuinely hate his character, not understanding that this is kinda necessary for the story’s settings. I never take kindly to either, but only you know where you stand in this.
Glad you like Berserk tho’! Have a nice weekend on your end as well! :))
…because the Berserker’s armor is to be used with caution. ://
Have you never seen this illustration that Sensei made for the lulz about Berserk within universe 20 years later?
Well, look at Guts being older than everyone because he keeps using the armor too much. xD This illustration is a joke but the issue depicted is real: the armor is very useful but dangerous.
That being said, I do agree with you that the trip to Skellig is possibly about more than just bringing Casca back. Originally, the whole journey there was only for Casca’s sake, but now that they finally arrived, I’d say we could stay there for a while and for other reasons.
The first reason is that the magic community took a hard blow because of Griffith
…and the remaining sorcerers are possibly interested in fighting back against him one way or another.
The other reason is Guts himself: there is what you proposed indeed, but besides the physical changes, Guts has so much to solve.
there is what Slan did to him (the wound to his ethereal body, I don’t think it was ever 100% healed iirc?)
and there is the beast of darkness (that is staying low for now), which is related to his own trauma regarding the Eclipse
Casca is not the only one who needs to face what happened during the Eclipse.
In fact, Guts’ sanity so far rested on the only hope that Danan might be able to bring the woman he loves back. He clang so much onto it that he even disregarded his revenge against Griffith to will himself into trying to get her back. And even if he’s constantly reminding himself of what the Skull Knight said on the subject, I’m pretty sure a part of him is hoping Skully was wrong.
So now that Casca is back, no matter how she and Guts will behave around each other, Guts is without a goal and, for a man as tormented as him, I believe that can be extremely threatening (”hello darkness my old friend”).
That’s why I think Guts could have his own personal moment on Skellig where he might finally agree to look back onto everything that happened, in order to finally learn to cope too. Besides, if not on Skellig, where/when is he ever going to get the chance to reflect onto all that he went through?
Besides Guts and Casca, I also guess that their time on Skellig could trigger development for the rest of their friends: Farny and Schierke could train a little with other witches for example?
More than anything though, I wonder how likely it would be for Griffith’s army to target Skellig Island next. I mean, I still can’t give an explanation to this…
because I doubt Isma’s mom was worried about her daughter getting into trouble with Danan’s people or the sorcerers, so… Well, since Griffith targeted a lot of spirit woods previously (like Flora’s), who knows what he might have planned for Danan’s kingdom?
The fact we even switched to him recently in the narrative must also be for a reason, but it’s not like he’s getting really slowed down by other enemies…
…so eventually -maybe after he marries Charlotte?- he could decide to attack Skellig Island while Guts, Casca and their friends are still there.
Still on the same idea, but I just recently made a post about Guts having a tie to Elves according to the Skull Knight and this could also be expanded on while Guts stays on Skellig, especially if he ends up having to protect them should Griffith launch an attack.
Finally, an attack by Griffith could also lead to the Skull Knight showing up once more (since he’s the foe of all inhumans) and I find this would be extremely relevant considering that…
this is what Puck once thought about him (vol 18).
TL;DR everyone fighting on Skellig could be a way to conclude the arc on Skellig? And until we get there, I guess we could focus on Guts’ own trauma as well as Casca slowly getting used to being back, while Griffith chases monsters around, possibly gets married and decides that he will target Skellig next.
That’s my take on it. Rather uncertain because we switched to Griffith and don’t know why exactly for the moment, so we’ll need more content to be surer!
I hope it answers your question Anon. Thanks again for the kind words and have a lovely day. ❤
I have NEVER seen fans hate a character with such passion as Berserk fans hate Griffith. It’s actually astounding like every single picture of Griffith on the hellsite has at least one person in the replies like “FUCK YOU, GRIFFITH, PIECE OF SHIT” and its so fucking funny
I was reading the newest Berserk chapter on Mangastream (and omg, I know it’s not the chapter anyone expected but the art, people, I just love Miura-sensei) and at the beginning you can see this:
For some reasons, personally it really reminded me of…
the circumstances of Guts’ birth?
As I said though, it’s probably unrelated, since the reason those monsters appeared is because the astral and real worlds fused when Griffith defeated Ganishka + I doubt it’s necessary to learn anything about Guts’ biological parents or region he was born in anyway…
I found this chapter super interesting when it comes to emphasizing even more than it already was the case on the differences between Griffith’s true nature and the little act of “the Falcon of light” he’s throwing to everyone’s face. Very confusing already for a big part of the fandom, so kudos to Miura for almost making us believe that Griffith as Femto has the best interests of humankind at heart. xDD
what I thought I expected: cries and tears, fear, disappointment and disillusions, hurt expressions, Casca thinking about the Eclipse and pushing Guts away for a little while, Guts sadly understanding that the Skull Knight really was right…
what I really expected: Gutsca kissing and making up
Frankly, one thing that always baffled me in the fandom is how some readers consider that Berserk is about Guts vs Griffith and like…
I just don’t get it?
I mean, sure, since Casca had a few years of absence, she certainly can’t have become as good as Guts did or as powerful as Femto became, when they were more evenly matched in the past, but nonetheless, Berserk always has been and will be about their trio and my proof…
is right here, because that baby is the biggest link (aside Casca and Guts surviving the Eclipse) between the three of them right now. Besides, would Miura have spent 17 volumes reaching Skellig if Casca’s character wasn’t of the utmost significance to the story?
So I’m sorry that I can’t explain it in a different way xD but for me, Casca is one of the three main characters of Berserk and as such, her role is the same as Guts’ and Griffith’s: she’s partially the reason the story exists, thus she’ll drive the story forward until its end. 🙂
That’s my opinion and I’m afraid I’ll never agree with anyone who considers that Casca is secondary or not relevant anymore, same for the Gutsca dynamic.
I hope it answers your question, have a nice day Anon! :))
Hello Anon! And yes, possibly, that’s what I’m thinking at least. 🙂
She’s not the only one, but @hamliet recently wrote a good meta about Furuta still ultimately wanting to die and I do still think that he’ll want it done by Rize’s hand, especially if that can help her get herself out of being usedby everyone.
I’m currently not sure what Furuta’s plan is, why he’s still with V, what he did or intends to do to Rize (because these are all points that are likely to be answered in the next chapter), but from the way he referred to her lately, I’d say that Rize is bound to grant him that old wish of his…
because she’s “an ally of his”.
Furuta had a terrible life so, while this doesn’t excuse his actions, the fact he’s conscious that he’s a tragic character and that he’s been actively making the plot move forward might allow him to finally die the way he wanted it to happen long ago.
That’s my take on it at least and, for all I know, it could change next week with the chapter about “Furuta and Rize”. :))
I hope it helps for now though, even if it’s to take with a grain of salt, as always. Have a nice day Anon!
Hello! Ahhh, from what I saw, you weren’t the only one Anon. 😉 However…
just like for Kaneki, it’s likely to just be a parallel of situation and not of characterization.
Of course, seeing ch128, it’s possible for Rize to be forced to become some kind of antagonist to the CCG and Kaneki’s side, however, it doesn’t mean that her character will follow the same development as Griffith/Femto. Rize had similar shitty years of being tortured just like it happened to Griffith, I’ll give you that, but I don’t think Dragon!Rize is going to become an equivalent to Femto.
In the first place, while Femto might be one of the executioners of the Idea of Evil, he’s still “free” in the sense that he’s bound by the law of causality to still go for his dream no matter what (that’s why he was chosen from the beginning), so he was given a corporeal body and an army of Apostles and he just does things his way, since his way is benefitting the Idea of Evil anyway.
Rize though, the poor girl, as far as we know she always only was a tool to one antagonist or another, so as you can see it cannot exactly lead to similar developments.
I don’t doubt that Ishida-sensei reads Berserk, it’s an absolutely amazing series for a reason, but let’s not say he’s not creative enough to develop his own plot twists without basing them all on Berserk and what happened during the Eclipse.
I hope it answers your question! Have a nice day Anon. 🙂