I feel like this is weird to say but usually Berserk uses sexual violence well. It’s still uncomfortable but it always has a point , like the “adult touch” or whatever in the lost children arc showing how inhuman the fairy children became, the troll scenes which were just as effective as the goblins in goblin slayer and more , but they don’t constantly just show the same monster being rapists and don’t rely on it too much and have some space and breathing room, goblin slayer uses rape a bit much

bscully:

skellig-island:

bscully:

I cannot talk much for Goblin Slayer as I have not read/seen it yet, but I think I can talk for Berserk:

You only see those rape scenes on certain occasions. They usually appear as a motif of sexual perversion (Eclipse, heretic’s Cave at tower of conviction, Qliphot, that one kushan Daka factory using human pregnant women) in a doomsday kind of scenario. And it’s mostly done to give the story a push forward, scarring and traumatizing the characters and giving them a motivation or drive.
There surely are some personal reasons why Miura chose this way of story-telling and kept it through most of
the story (but I don’t want to dig into this and I hope he is all well if not I’ll spam him with lovely fan letters and good vibes)

It’s reason why Guts went on his 2 year apostle killing spree:

I also think the things that happened to Farnese while she was taken hostage by Guts, the things she witnessed at Tower of Conviction and Qliphot all together enabled Farnese to become a witch in the first place:

The “Daka Factory” made Silat question whether it is a good idea to follow a a king that lies beyond their understanding (one who resorts to using pregnant women to create hell spawn, I might add):

And later on Silat already makes this point very clear when asked to join the neo band of the hawk:

It’s a (prettyy fucked up) narrative tool, so to say. But also very effective because firstly, it is so shocking and secondly, the timing of these events fit into the overall narrative and development of each character.

Thank you for writing this.

I understand that people are upset with the rape scenes and find them questionable. But at the same time, as questionable as it is, Berserk wouldn’t be the same story without it (and I know this is going to be a controversial thing to say).

Yes, using rape to shock and upset the audience can be a bit of a cheap trick, but that’s kind of the point, to shock and upset both the audience and the characters. Femto/Griffith is considered as villanous as he is because he’s a rapist, as much as people complain that it objectifies Casca*, people wouldn’t hate him as much without it.

Honestly, reading through Berserk every single character who is a rapist has also been depicted as FUCKING EVIL (Wyald, Femto, the trolls, Ganishka, etc.) so it’s not like Miura is glorifying such actions. You could argue until the cows come home about wether or not rape should be depicted and even used as part of some character’s characterization, but IMO at the end of the day Berserk has been mature rated from the start, if you can’t handle sexual content then perhaps you shouldn’t read it.

(* – that’s not to say it isn’t a valid complaint)

Some other works literature, movies or games would only include explicit
scenes merely for shock value or PR (I’ve heard people saying that
Goblin Slayer does just that, but what can I say!)

Berserk has explicit and triggering content, but it makes it meaningful in the way the story is told. E.g. lets just point out how Guts was abused by Donovan and therefore WILL mercilessly beat up or kill anyone crossing his path who dares touching the weak (Though I also have to point out he is not actively pursuing that goal).

This experience of his is used as motivation that is showing throughout the manga in a very strong and effective way. It gives him a depth and also ambiguity – because he is not actively pursuing as goal – that not many protagonists have, at least those I’ve seen/read about.

I mean when the PROTAGONIST literally saves women from rape ON MULTIPLE OCCASIONS (Casca/Adon, Casca/Farnese/Women from Enoch in Trollcave) it’s really really unlikely that the author endorses rape in any kind of way. (But I like that he also puts a reminder to not become the very thing you are fighting against *cough* winter journey *cough*)

While I understand people being upset about Berserk’s upsetting imagery (I was too when i first read the explicit parts), I think it’s art to write these things and give them a proper meaning and symbolism; it makes Berserk the masterpiece that it is.

This is so very important. 

I’m sorry if what I’m about to say sounds kinda unrelated to this discussion @bscully, but Berserk has a real notoriety in the manga world and honestly, I thank Sensei for steadily going with the upsetting imagery in spite of this! 

(under the cut, because possibly slightly out of topic)

Anyone who likes manga has at least heard of the series and generally of the Eclipse, since it’s the most shocking/horrible part (I have had dozens of discussions that turned out like this) and, because it’s shocking but also because Berserk was often referred to as a masterpiece, more than a few manga fans went to read the Eclipse without the context of the previous 12 volumes.

Well, guess what? Obviously these guys came out disappointed and full of the criticisms you were talking about above (”this is disgusting”, “glorifying rape”, “couldn’t he have drawn/done this with more taste?”, etc). 

But that’s the thing, context matters in every series and even more in Berserk, which is why as you said so well, “Berserk has explicit and triggering content, but it makes it meaningful in the way the story is told“ and that shows through all the examples you mentioned.  

I don’t know, maybe it’s just me, but if I go read a love confession between two characters I barely know/haven’t followed the story of, the emotional affect is 100% lost on me compared to if I’ve been following their dynamic for a few or a lot of volumes.

Same for lovemaking/sex scenes being taken in or out of context, with or without knowing the characters and all that they went through before finally reaching that point with each other (for example, that’s how you can establish a real comparison between the Griffith/Charlotte and Guts/Casca sex scenes in the same volume => again, something Sensei made on purpose, without a doubt; whereas the two scenes just probably resonate similarly if you check them without knowing the context or the characters).

And so, if this is how it works for beautiful and emotional moments, why shouldn’t it also work for absolutely horrifying and shocking parts like the Eclipse (but also Guts’ chidhood, the lost children arc, Qliphoth, Wyald, Ganishka, etc)?

So yes, Miura-sensei goes with upsetting imagery often in Berserk, it’s been a thing since the beginning although (as Anon pointed out) it’s hardly ever the same tone several times in a row.
That fact is why the series doesn’t have to be for everyone and there is no issue with saying one wouldn’t enjoy it. However, for the ones who go check the worst scenes regardless, without the whole context, and who obviously get the wrong idea, seriously what’s the point? 

It took me two years to start Berserk between the first time it was recommended to me and when I actually gave it a try, because first thing I did was to go to google image to check and I immediately closed the browser because “what the hell?! too violent!” => that’s missing the context.  

Now it’s one of the best series (amidst manga, comics, novels, books, everything) I have ever read and honestly I’m glad circumstances made me give it another chance. 

Miura-sensei knows what he is doing: it doesn’t have to be for everyone, but honestly, criticism is only legitimate with context. 

Hi!!! Hope you had had wonderful holidays! I finally caught up with Beserk, and I wanted to ask you what do you think is going to happen next? Especially with Casca and Farnese because I think Schierke is safe (I hope) but I’m really worried about the other two, especially Farnese for some reason. Thanks for reading this ask, hope you have a wonderful day! :)

Hello Anon 🙂 Thank you, I had a great time, I saw snow and I love snow 😀 Congrats on catching with Berserk too :)) So here goes:

  • What do you think is going to happen next?

Seeing as I have no idea whether you meant in the current arc or in general in the story, I’ll answer quickly to both. 

First of all, I really can’t be sure of how long it’s going to take to bring Casca back but I’m 99.99% she will be back after this arc. Miura-sensei will probably scare us once or twice before it really happens, but we’ll definitely get there eventually. Here are a few theories I wrote for the current arc: [x][x]

As for the rest of the story, I also wrote a long post a year ago or so, about what getting Casca back would mean for the whole plot. It’s still pretty accurate in my opinion but if you’re not sure of reading it, I might as well give you a lil summary:

Casca will go after after Griffith because she will want her son back and Guts (and their friends) will follow, either simply because she goes, or because he’s going to be as mad as she will be about what happened to their son. 

In other words, Casca will go back to being the extremely meaningful and impressive character she always was. Remember, Guts is no leader, but Casca was a great one even if she had to take a break for a few years. :))

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  • About Farnese:

Similarly, I’m pretty sure Farnese will be okay and narratively speaking, she has to be anyway. See, the current arc (getting Casca back through a journey in her dreams) is also a good way for both Schierke and Farnese to finally move on from their crush on Guts, because the current arc will help them realizing what exactly links Guts and Casca. 

It’s always been something that they had a hard time grasping, Farnese especially, because they have no idea about what really happened during the Eclipse and because all they ever saw was Guts doing all he could to protect while she wouldn’t stop pushing him away…

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So, Farnese (and Schierke too, even if it’s to a lesser extent) realizing what exactly Casca and Guts went through and receiving the confirmation that she’ll never be able to come between them will definitely help her move on, and this is what’s going to allow Sensei to focus on her dynamics with other characters (namely on that weird little love triangle she has with Serpico and Roderick). 

So the girls will certainly be okay, no worries and while this arc is mostly about Casca’s character, it’s still a little about Farnese and Schierke too. :))

I hope it answers your questions, thank you for the nice words, I hope you’ll have a nice weekend! 😀

AHHHHHHHHHHHHH

OMG OMG I just had The Thought™

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what if the one who ends up using Dragonslayer (from Farnese’s dream) is not Farnese or Schierke or even Dog-Guts, but rather…

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Casca herself?

Hear me out, the broken doll is only missing but a few fragments and this lil one here changes with every memory the girls retrieved (she spoke and expressed her desires when she couldn’t speak at all at first). If this keeps up, which is the whole point of this arc, Casca will slowly come back more and at some point, she’ll be able to confront her own past in order to fulfill her wishes and end this journey. 

This might imply having to fight by herself the embodiment of her fears once we get to the final fragment…

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otherwise she’ll never find her resolve in order to finally cope with everything that she went through. 

Besides, it’d be a beautiful parallel considering that Dragonslayer is a big reason our Black Swordsman managed to fight and survive all this time, so much that the sword itself became stronger and more efficient against Apostles after killing so many of them.

Finally, it would also be an interesting nod back to why Casca once took a sword and learnt how to fight for herself…

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…right after she was assaulted for the first time. Using Griffith’s initial advice to overcome what he did to her, wouldn’t it be awesome?

I’m looking forward to anyone who might use Dragonslayer in a future chapter, but I’ll be extra happy if this person turns out to be Casca, who’s finally ready to come back. 😀

[x]

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So anyway, besides Serpico’s wind garbs and the berserker armor, since there was also Dragonslayer in Farnese’s dream of doing the laundry…

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…does this mean it could be the next item that will help the girls? To break the last fragment open for example?

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Unless it’s our Beast of Darkness 2.0 that will use it to fight the embodiment of Casca’s intense fear?

The black sun and hellish peak of Casca’s dream

midnight-in-town:

So I reread the current arc and a thought came to me. Actually I had thought about this before but I never wrote a post, so here’s an occasion since Berserk is coming back soon. :))

Anyway, about this…

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…since we’re currently wandering across Casca’s dreamland, looking for fragments to heal her imagery of the broken doll, it seemed obvious that every memory we came across had to be from Casca’s perspective, otherwise Schierke and Farnese would have had no chance to bring her back. For example:

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However, back to what Schierke and Farnese described as “the end goal” of their journey, I’m actually not sure that:

  • the black sun is representing the moment of the eclipse
  • the hellish peak is representing the God Hand towering above hell

Don’t worry, I know that said like that it sounds weird, especially considering that the eclipse and Femto are the guilty party behind Casca’s decent into insanity, but hear me out because, to be fair, I was thinking that maybe these two elements of Casca’s dreams were hinting about a specific part of the Eclipse.

Again, we saw that the fragments of Casca’s memories that we came upon were always shown from her perspective, so what if… 

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“the black sun & hellish peak” were referring to…

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this moment of the Eclipse in particular?

Because it’s also an aspect of rape that could have definitely traumatized both Guts and Casca, since Casca begged for Guts to look away while he couldn’t, because he was held down and forced to watch her being raped, until one of the Apostles pierced his right eye,

this horrible sight forever haunting him afterwards.

So while Guts hated having to be powerless and being forced to watch the woman he loved being raped, I think that Casca’s words back then are deliberately implying that she also felt terrible because, on top of her suffering through rape, the man she loved was forced to watch it all. 

Again, it’s all a matter of perspective. Schierke and Farnese will most likely see all the events of the Eclipse through Casca’s eyes, because that’s the only way for them to find out why Casca turned out like that.
However, in my opinion, the “last fragment” and symbolic elements of her dreams might also include this scene above, because it represents a moment when both Casca and Guts were powerless before Griffith, forced to watch the one they loved suffer right in front of them. 

I’m just saying, it could be one of the many aspects of trauma induced by rape and, if it’s still haunting Guts to this day, it may haunt Casca as well, hence the imagery of that hellish peak pointing towards the black sun that we saw in Casca’s dreams so far.

This is a bit of a stretch at this point, but imagine if this part of Casca’s trauma is one that she can’t face by herself (hence the overwhelming presence of these two symbolic elements ever since the start of her journey through her dreams), because she’s convinced that Guts must be disgusted and traumatized by what happened to her, even if it wasn’t her fault at all. 

And imagine if Farnese and Schierke both realize the extent of her trauma and self-loathing in that particular aspect, once they get to see the final fragment, and they end up trying to help Casca by telling her about…

Guts’ answer to Roderick’s question? (vol 33)

In the end, this answer is something only Farnese, Schierke and Roderick got to hear about for now but we know that the two girls who have a crush on Guts were a bit hurt in their respective feelings, so it’s rather obvious that Guts’ love of his life definitely is Casca.

So if Casca were to hear about that answer, maybe it could help her acknowledging that, despite the horrible experience and trauma, Guts’ feelings for her haven’t changed after all that they went through?
Besides, it would also help both Farnese and Schierke with coming to terms with their respective crush on Guts, since (let’s face it) it’s never going to happen and other dynamics involving the girls definitely need a focus next (Schierke & Isidro, Serpico -> Farnese <= Roderick).

Of course, the journey through her dreams won’t make Casca cope right away with everything that happened during and after the Eclipse, and I’m not even expecting a Gustca reconciliation right away considering what happened in vol23 for example, but the presence of Guts as this very scary but protective dog in Casca’s dreams indicate that, deep inside, she knows he protects her.

So a big reminder of Guts’ feelings thanks to Schierke and Farnese might help Casca with at least this part of her trauma (self-loathing and self-disgust that she thinks the man she loves shares, because he witnessed her getting raped), but that’s only if the peak and black sun represent what I was talking about above. 🙂

Theory about the demon infant/moonlight child & dreams

midnight-in-town:

More like crack theory, but it invaded my mind this morning and it just won’t leave me alone, so here goes nothing: going back to the tower of conviction arc, there was a scene that never struck me as odd until, well, this morning and that is:

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What that apostle implied about the demon infant dying and dreaming about the “new world” (aka Griffith being reborn and becoming humanity’s savior lmao) hit something in my mind today because the story is currently focusing on bringing Casca’s sanity back, thanks to a journey through her dreams.

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And in ch348, it was implied that, even though they’re technically called “dreams”, it’s completely possible through them (and thanks to magic) to change the dreamer who is currently asleep in the “real world”. 

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In Casca’s case, hopefully Schierke and Farnese will be able to make good changes, but that got me thinking: what if, through magic, this “corridor of dreams” was… somehow like another “dimension”? A bit like the astral plane if you would, except that it is about “dreams”… 

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…and only powerful beings like the Sovereign of the flower storm have access to it. 

Now, look at the moonlight child: he’s a young kid that many readers believe could be what’s left of the demon infant ever since Griffith’s rebirth, but Schierke told us many times that…

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his OD, to which the brand doesn’t react to, is strange, which means it has nothing to do with the beings of the astral world (or the underworld) that Schierke is used to and he’s clearly not human (or having to do with Danan). 

We know he’s using the full moon to appear because that’s the time magic forces are at their strongest, and it’s actually been hinted that Griffith doesn’t disappear on full moon nights (meaning that these two probably don’t share a body, at least not during the full moon). We also saw him disappear in vol 37…

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…through that tree that expands even to the moon and that apparently links every plane/world together.

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Back to the demon infant and dreams, considering his behavior until Griffith’s reincarnation, I wouldn’t be surprised if he were to have dreams about living a happy life with his parents, especially since the Skull Knight confirmed that all children (even demons) yearn for their parents. 

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And anyway, one of the reasons many readers associate the moonlight child to the demon infant is basically because the moonlight child, each time he appears, behaves as if he were Casca’s child (eyeing Guts and saving him when necessary too). Isidro even called them and Guts out for looking like a family once. 

Here’s the thing though: we know that the demon infant is definitely a current “living” part of Griffith, as the man commented on feeling the baby’s fear for his parents during vol 22 (when Guts and Zodd were fighting), so if Griffith doesn’t disappear on nights with a full moon…

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…that means that the moonlight child (if he’s linked to the demon infant) got his body from someone/somewhere else.

So here’s my theory: what if the moonlight child is none other than the corporeal incarnation of the demon infant’s own dream?

If the baby that became a part of Griffith when he was reincarnated is sometimes dreaming, as the apostle of the tower of conviction implied, then he might be dreaming about seeing his parents again, or simply about what it would be like to spend time as a family?

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And thanks to this baby being a strange being in the first place, but also being a part of Griffith and full moons helping, maybe that’s how the moonlight child comes to be every month for just one night (naked as the demon infant always was and powerful, because it’s the full moon or because of Griffith’s powers that the demon infant might be sharing)?

That would definitely explain the boy’s strange OD in any case and maybe even why he looked to have grown up in vol 36/37, as he would be the first dream incarnation that we would meet in the story (and that would fit with the fact that Griffith/Femto definitely seems still corporeal during the full moon). 

TL;DR maybe the “corridor of dreams” that Danan uses is some kind of plane, like the astral plane, that can be accessed through the world tree.
And maybe, during full moons, the demon infant has enough powers to materialize his dearest dream for one night, which is to say he “dreams” of being a young boy able to spend time with his parents, which is why a corporeal moonlight child materializes where his parents are.

Sorry if something doesn’t make sense, but feel free to leave your thoughts! 

Bringing this post back because…

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I’m betting that what’s going on, thanks to Danan, isn’t just a simple dream. It’s more like it’s based on Casca’s dream (and it also has to do with her memories and her trauma), otherwise…

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…Schierke wouldn’t have been able to bring these things from her own dream. It’s as if Danan was linking their dreams together, so maybe the “corridor of dreams” really is its own dimension/plane (and it’s gathering every dream together?). 

Anyway, considering how Schierke was able to maximize the use of these objects “because it’s a dream”…

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…once again, I vouch for the (crack) theory that the moonlight child might be the result of something the demon infant created/dreamt, either thanks to his own power, or to Griffith’s, on top of using the time of the full moon. 
That would explain why the moonlight child seems to be so close to Casca, why he’s curious towards Guts, why he saved them both and why he disappears through the world tree once the full moon ends. 

So he might not be the demon infant directly, but he comes from the demon infant living inside of Griffith. And I like the idea that he comes from a dream because it could be seen as once being implied by the egg apostle +  as we saw, even as a cursed child, the demon infant always yearned for his parents and wanted to protect them.  

Additional detail because it’s a crack theory, but…

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Danan chose to materialize inside Casca’s dream as these flowers to guide Schierke and Farnese and, the more I think about this crack theory, the more it reminds me of…

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… the 3 times the moonlight child stopped Guts’ fury as he, too, materialized within Guts’ mind, whenever he was on Berserker!mode, bringing him back to his senses.

So I don’t know for sure, but I like the idea that the moonlight child has something to do with the demon infant and the “dream dimension” (as I’m calling it), which might be a separate plane, allowing those who can access it to reach the deepest parts of other people’s minds. 

Again, feel free to leave your thoughts! 

Do you think casca would really regain her mind in this arc? I feel like some plot twist is on the way

Hey Anon 🙂 And wow, how am I supposed not to ramble when I receive such a question? xD Nah but seriously, your question reminds me that I actually intended on writing a post about ch348 but that I got super busy and literally forgot, so it’s a great question. 🙂

First of all, yes, I think that Casca will definitely regain her mind one way or another while they’re at Skellig Island. It’s something I currently don’t have so many doubts about, for reasons I once explained here. My thoughts can still change of course, but for now I am not fearing this possibility. 😀

However I definitely agree about plot twist(s): I agreed before ch348 and I agree even more after reading ch348 because…

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…we got the confirmation that whatever Schierke and Farnese do in Casca’s dream will affect real!Casca. Obviously, it was to be expected since Schierke and Farnese are supposed to cure Casca through understanding her dream, but positive changes definitely aren’t the only possibility. :/

So, since we readers know exactly what put Casca in such a traumatized state, I think we can expect that Schierke and Farnese’s journey through Casca’s dream certainly won’t be an easy and eventless one.
Besides, eventless wouldn’t suit a story like Berserk so, while I can’t say how many chapters will be dedicated to Casca’s dream, I am expecting feels, pain and worry with probably at some point the dreadful feeling that Casca’s recovery/Casca’s safety back in the real world will be at risk (especially since… Griffith/Femto has been shown to invade other people’s dreams before -> the Pope, the citizens of Midland…). 

The other… kind of plot twist that I am sometimes expecting is post-recovery, since, even if she manages to be healed, Casca will still need to learn how to cope with everything that happened to her ever since the Eclipse, which is to say:

  • what Griffith did to her personally
  • the loss of men and friends that were under her command (Judeau, Pippin ;_;)
  • what happened to her and Guts’ child after the Eclipse
  • ….and what almost happened with Guts in vol23

So, because of Casca’s need to cope, I can’t really decide how the reunion between healed!Casca and Guts will go. :/

We all know that Guts is this one main character that life (aka the author) likes to constantly fuck over and many fans are overjoyed at the prospect of Guts and Casca being happy together again, so for now I can’t decide if the reunion will brought tears of joy or of pain to the readers. I made a post on the subject before, to list a few possibilities, if you’re interested.

Finally, back to plot twists during the dream journey, this is just my personal wish, but I would love it if, should Farnese Schierke and Casca be at risk because things took an unexpected turn (as I think it could happen), Puck or the moonlight child (or demon infant?) were to help.

Oh of course, I know that the Queen is very strong, but somehow I felt that Puck being sent to “prison” was a bit strange considering that he always was important and that he had a glimpse into what actually happened to Casca before thanks to Guts. 
As for the moonlight child, it’s simply because he might be related to the demon infant and that, since he saved Guts a few times before, he might do something for Casca as well. Besides, if he actually is related to the demon infant, then I think he’ll have a role to play in Casca’s recovery/post recovery as she always looked to be more alert whenever she had to take care of him, which means to me that she might have been more conscious of things thanks to him. 

TL;DR plot twist(s) probably and recovery very probably as well. 🙂

I hope it answers your question, sorry that it was so long!

Have a nice weekend Anon. 🙂

skellig-island:

dorianelise:

Someone: “Okay but… why do you ship that pairing?”

Me:

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This is me with SerpicoxFarnese.

I know a lot of people don’t agree because of the incest but this isn’t just an “it’s hot because it’s incest” pairing. They have history, development and chemistry together, if they weren’t siblings you would all be shipping that shit as hard as Gutsca don’t lie. It’s sucks that they’re related but I think it adds another layer to their twisted relationship.

Also, I really dig unrequited/impossible love pairings.