Hey now. So there’s a moment right before Tsukiyama barges in where Touka’s words sink into Kaneki, and he turns to look at her.
It dawns on him that Touka is not only mutually attracted to him, but cares about him the same way he cares about her.
That’s the meaningful part.
Remember back when both Arima and Kaneki finally realized that they cared about each other, but it was already too late? The two of them were so caught up in their own issues, with depression and single-minded goals, that there was no room at all for the concept of being loved by someone else.
Kaneki has been in that frame of mind despite Arima’s death. He’s been so focused on protecting everyone, that once again he fails to realize that people care about him, too.
But now Touka is handing him a space in her heart made specifically for him to fill, in a way that he can actually comprehend.
What’s more, she’s still alive, and with her whole future ahead of her.
This chapter is about the possibility of allowing someone he loves to be by his side– not behind or ahead of him– for the first time since losing Hide. Asking Touka to come with him at last is the most undeniably terrifying, but beautiful thing for him, which goes leagues beyond stupid ass ship wars and “Do They Wanna Fuck?”
It all comes back to the apple from the Tree of Knowledge of Good and Evil.
Eto is the serpent who offers knowledge that brings suffering. This is seen principally with Kanae and Haise, who are severely tormented by the epiphanies Eto leads them to, but it also includes the Japanese (and even world) populace after her press conference and ‘Bileygr the King’. Their suffering in the conflict that erupts from the truth has already begun in the Clown Siege. Adam and Eve are seduced by the serpent, take the fruit, and them and all their kind suffer eternally because of it.
Furuta (*cough* FRUIT *cough*) is like if Adam had not only eaten the apple, but then used his newfound knowledge to topple God and take Eden for himself. He comes from the Sunlit Garden (of Eden), he knows how the system truly works, and now he’s using it for his own advantage. But although he hides it behind the mask of a clown, he’s suffering too, and he has a lot more to suffer before the series is through.
In her birthday art back in 2015, Touka was guarding the apple of knowledge for Haise. She had the power to unlock his memories, but chose not to, because (just like Haise’s memories), the apple does not only enlighten but brings immense torment to follow. Yet despite being aware of its dangers, Touka is still fond of the apple as deep down she does want Haise’s memories to return.
But in the end, having no reservations when it comes to causing pain, Eto is the one to indirectly grant the apple to Haise.
Thanks for the question, anon! One of these days I’ll write up a Biblical Reading of TG, where I’ll expand on a lot of the ideas I’ve talked about here.
Nothing to apologize for, anon. But how has Kaneki changed? He’s blonder and gloomier, but that isn’t character development.
We meet him in TG. He’s avoidant and anxious; he has no friends, no interest in making friends, he’s passive and prefers being led. He has negative perception of himself and as we realize later, he considers Eto’s The Black Goat’s Egg to be a book that reminds him of himself and his mother. It is; if we take this allusion as it was intended we may conclude that Kaneki was aware/afraid of his violent impulses before he became a ghoul. His motivation is not “helping people”, it’s “not being alone”.
Currently, he’s still avoidant, still doesn’t understand how friendship even works and apparently thinks he needs to “save” everyone (hint: making decisions for other people is actually bad for friendship). He’s still anxious and has violent impulses. His motivation is still “not being alone” with a side of “everyone shall love me and despair”. Haise’s
façade was mostly successful in balancing this, but so fragile that it self-destructed on a regular basis and required careful maintenance of general denial (as we’ve seen with his conflicted feelings towards Arima and tears in :re).
Kaneki’s main flaw is his inability to make decisions, choose anything by himself, or lead anyone. If you notice, he has to be shoved into every major plot point: he’s bodily brought to Kanou, he’s bodily brought to Aogiri, he’s bodily brought to Arima/CCG, he’s sent a giant neon arrow to come visit Uta, Arima’s last will and testament is making sure there’s someone to bodily drag Kaneki’s ass out of Cochlea. Naruto just went places.
He says, “I hope I’m one of those people born for revolution” and yet Arima still has to kill himself just to put his own plan in motion. Kaneki got Goat on a silver platter because Eto and Arima created this future for him. Eto literally fed him the information and doubts he needed until she could tell him what to do. Ayato straight up said Kaneki doesn’t want to choose anything, and he’s right. He was named King and he just… went with it. Does he even want to be King? We don’t know, because for a protagonist we know surprisingly little about Kaneki’s personal desires.
(as an aside, wake me up when his “me, a mass murderer of ghouls who hasn’t killed any human ever, is proof that we can live together” grand plan starts making sense. Eto should’ve just given him a revolution manual to go).
Now, him being static isn’t a bad thing in itself. Our perception of Kaneki has changed as we found out more about him. That’s introspective change and it can work. As I said, Heathcliff hasn’t changed at all throughout Wuthering Heights, and I don’t see that stopping him from being an interesting character. Or take Gone Girl – Amy doesn’t change at all throughout the movie, but our perception of her does. Saitama in OnePunchMan starts the manga having finished his character development. In TG, Amon is another rigid character that hasn’t changed a wink so far.
Consider that for a tragedy to work, often the protagonist can’t change since they need to fail because of their flaws.
the thing about ayahina is that their relationship is much less complicated that touken. they’re really sweet to each other, they’re protective of each other and basically, they’re happy when the other person is happy. at least, that’s how i see it since we don’t see much of their relationship.
but touken is so much more complicated and deeper than that and they are both facing issues that ayato and hinami aren’t. kaneki thinks that he’s protecting touka by always leaving her behind. he means well, but frankly speaking, touka doesn’t need to be protected at all. and touka hits kaneki because she believes that it’ll knock him into his senses and stop his self-destructive behavior because, yes, violence is what touka has known for a significant part of her life. and you’re right that ayato’s similar in that sense but why would he even hit hinami? hinami has done nothing to hurt or piss him off. if you wanna use something as a comparison, then you should be talking about the aogiri arc. ayato beat touka up back then much worse than any beating kaneki has even gotten from touka.
i don’t know enough about abuse to make a definitive statement on touken’s relationship. but going by anti-touka arguments i usually see, if we consider kaneki’s past as the reason why touka’s abusive towards him, when kaneki continues to push her away and worsen her abandonment issues, isn’t it abusive to touka as well? like i said, i don’t know enough about this issue. but personally, the way i see it is that touken has a lot of issues but they have the potential to improve and with the upcoming touken talk, i’m sure they are going to improve.
anon, you simply can’t compare ayahina to touken because in the end, they’re different. ayato and touka maybe be similar and all but they’re two different characters with very different issues as well. and ayahina might be a cute relationship and all but at the same time, it isn’t the best out there. if cochlea arc has told me anything about ayato, it’s that he can get extremely reckless (to an unnecessary degree tbh) when it comes to hinami. and to a certain extent, i feel hinami’s the same way as well.
long story short:
this is tokyo ghoul there is no pure and healthy relationship
I’ve seen sooooo many posts about wether Touka is abusive to Kaneki or not and i feel like pointing something out:
There
is so much sexism in Japan. The kind of sexism that makes people think
that women have to be delicate little flowers and men have to be tough
as shit.
How many times have you heard the phrase “come on!
you’re a man, aren’t you?“ used as a way to make men feel bad for being
scared or having emotions in some anime?
Of course they
don’t think a woman beating the shit out of a man is abusive. They often
see her as “tough” and “strong” and usually “just wants the best for
them” but doesn’t seem to be able to express their concern any other
way, so to them it’s not abusive. To us, it is.
On the other hand, they do
think a woman being hit by a man is abusive. so, if Ayato were to ever
treat Hinami the way Touka treats Kaneki, everybody would go insane.
It’s
a different culture, and even if that doesn’t make it right, I don’t
think Ishida means any harm by portraying Touka that way. Arguing about
wether or not she’s abusive to Kaneki is useless unless you consider where it’s coming from.
I’ve been waiting to see this post because this is my come-from, too. At first I was confused by why (the majority of) the Japanese fandom’s reaction was sooo different from (the majority of) the western fandom. I won’t try to make excuses for or condone Touka’s action – but both OP and the above respondent are right, there’s much more context and nuance to this than people have acknowledged. tl;dr at bottom
1. The sexism mentioned above. This isn’t an excuse, but the real context. It’s unhealthy, but anyone who’s been involved in Japanese media has at least seen it before.
2. Both of the characters’ ways of coping – let’s start by looking at their conversation prior to the incident.
The name thing is actually a pretty big deal for the Japanese. Here, Touka’s testing the waters by asking Kaneki what she should call him, trying to get him to acknowledge their relationship (because that is to a great extent what names can represent in Japanese culture). He answers in such a nonchalant way that it actually hurts her because he’s not taking the hint. He’s shutting down. This isn’t a good reason for her to punch his lights out, and yes, that is unhealthy. It parallel’s her attacking him on the bridge, when he did a similar thing by lying to her face. In both scenes, she couldn’t reach into his true thoughts, and he couldn’t open up. She reacted through violence, and he reacted through passiveness. Yes, it’s unhealthy, and yes, it just hurts them both more. But this does come from both of their backgrounds, and it is the device Ishida is using to portray their divisions and build anticipation for their relationship’s development.
3. Finally, it did hurt Kaneki emotionally:
This arc, as far as character development goes, seems to be about Kaneki not opening up (reminds me of his shironeki days). We haven’t had much internal narration from him since Arima’s death, and that makes me uncomfortable. We know Kaneki enough to know how he probably feels right now, but that’s not enough. He’s acting pretty authoritative, but that’s definitely against his nature, and we don’t explicitly know how insecure he is about it. We just know he must be, especially because I see people often identifying his weaknesses in his new role. Tokyo Ghoul has forever emphasized the extremes of mental
state through Kaneki. First, the obvious Kuroneki vs. Shironeki, and
in TG:re we see the paralleled contrast between Sasaki Haise and Kaneki’s role as One Eyed
King. If we think about it, Sasaki enjoyed a relaxed mental state that was turned on it’s head (through the black reaper transition), just as Kuroneki experienced an innocent mental state that was turned on its head (through Yamori’s torture). What this means is that Kaneki’s mental state now is most likely the stark opposite as what it was during his time as Haise. Take this for what you interpret it as, but it definitely indicates that Kaneki’s still got a lot of growth to do, and so far, Touka has been the catalyst for the healthier side of his growth.
My larger point in these three areas is that the punch is to portray how Kaneki and Touka’s relationship is still in the same state that as it was on the bridge >3 years ago, and build the emotions between the two. The upcoming conversation between them is extremely anticipated and I wouldn’t be surprised if Ishida even interfered with it a bit to build Kaneki’s emotions towards Touka even further.
I hope I provided at least a slightly better understanding of the way Ishida intended the punch. This is the way that the majority of his intended fanbase, from what I’ve experienced with interaction in the JP fandom, views the incident. I actually agree with a few of the criticisms people have brought up because they open my eyes to much deeper, and probably more realistic, ways that the punch could have affected Kaneki. Something so violent like that is indeed extremely triggering to someone who exhibits such obvious signs of PTSD – and more – as Kaneki does. But, where I draw the line is at the hate towards the characters and the criticisms such as: Why doesn’t Kaneki stick up for himself? Why hasn’t Touka figured it out yet and stopped being so violent towards him? Look – these questions are the point of their relationship. I don’t think either character – really, any character in Tokyo Ghoul – deserves hate for the way they are portrayed, because they’re portrayed that way to prove a deep and valuable point.
tl;dr: General sexism, the two characters’ natures, and character development all contribute to the context this scene should be taken. It is Ishida’s intent to portray this unhealthy part of their relationship, and resolve it in the future. Japanese–western cultural divisions seem to play a part in the wedge of understanding towards this scene.
Oh, you misunderstood me, anon. I didn’t say he was “great”- I said he had the “potential” to be great (and by great, I just mean he could be a pretty good person if he wanted to).
Some examples of things that show Ciel isn’t pure evil:
Made a grave for Mary Kelly (I think that’s her name) when he didn’t have to
Gave Finnian a name and home, even when Sebastian didn’t think it was a good idea
Wanted to be the new patron for Kelvin’s workhouse
Called out Sieglinde’s mom for using her and straightup carried Sieglinde out of there
Told Snake not to care what other people thought
Unironically told Sebastian he could take a break after he was injured on the Campania
Couldn’t bring himself to harm Madame Red
Kept the mustard gas tech. a secret from the Queen
I mean, they’re not big noble things but they do give Ciel character depth and let us know that there are hints of him being better than he gives himself credit for. Just my opinion!
I thought it was OK because Yana did want Lizzie’s “real” persona to be a plot twist down the line. Back then, she didn’t expect Kuro to last past 1 arc so it’s understandable that she wouldn’t flesh out anyone other than Ciel at the beginning.
I never hated Lizzie though! At all. Even before Campania. On chap. 2, she really was trying to make Ciel happy, but completely botched it up because she’s 14, and we all know 14 is one hell of a cringey age XD She got carried away with her “party” and forgot to keep herself in check. Who knows, maybe she really does hate that ring- she must know its connotation.
And yes, Lizzie’s never been 100% selfless- a part of her does want Ciel happy for her own sake- she misses the old days, when Vincent was alive, when Ciel was her good playmate, when she didn’t have to worry about the watchdog, etc. I think as time went on in-universe, the more concerned she became with Ciel’s genuine health/happiness and less with her own feelings.
Chap. 2 was necessary for us to see her growth over time and that Lizzie is no angel. She’s human, flawed, and conflicted. She feels “inconsistent” because she’s trying to balance the mask she wears and what she really feels/wants. Yana could have made her less annoying in ch. 2, that I admit lol, but other than that, I don’t think it’s unfitting with her character because of the reasons above.
“killing stalking should not be supported because it features an abusive gay relationship and is therefore demonizing and homophobic”
“Killing Stalking is a psychological horror/thriller webcomic that features heavy violence, gore, and immensely flawed and well written characters. Although the comic has an abusive gay relationship, it is never romanticized or seen as healthy within the perspective of the comic. The goal of the comic is to scare and entertain the reader (much like a horror movie would)- not create a lovey-dovey couple for readers to ship. Overall, the problem lies within fujoshi/yaoi culture, and the fanbase that is willing to fetishize any gay relationship- no matter the circumstances.”
I’m going to use the foil dynamic between Amon and Seidou right now (who are literally both fighting in canon at the moment) to explore flaws with both of those characters, and also Tokyo Ghoul as a cautionary tale for the dangers of masculinity.